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THREE:as she sang these words she laid her hand upon [61] her heart and, turning to the Queen��s box, bowed profoundly. As this was in the beginning of the Revolution, there were many who wished to revenge themselves in consequence, and tried to force her to sing one of the horrible revolutionary songs which were then to be heard constantly upon the stage. She refused indignantly, and left the theatre. Her husband, Dugazon, the comic actor, on the contrary, played an atrocious part during the Revolution. Although he had been loaded with benefits by the royal family, especially the Comte d��Artois, he was one of those who pursued them to Varennes. Mme. Le Brun was told by an eye-witness that he had seen this wretch at the door of the King��s carriage with a gun upon his shoulder.The last at which Mme. Le Brun was present was the Mariage de Figaro, played by the actors of the Com��die Fran?aise; but, as she observes in one of her letters, Beaumarchais [26] must have intolerably tormented M. de Vaudreuil to induce him to allow the production of a piece so improper in every respect. Dialogue, couplets, all were directed against the court, many belonging to which were present, besides the Comte d��Artois himself. Everybody was uncomfortable and embarrassed except Beaumarchais [27] himself, who had no manners and [63] was beside himself with vanity and conceit, running and fussing to and fro, giving himself absurd airs, and when some one complained of the heat, breaking the windows with his stick instead of opening them.